The Nashville Parthenon: shots of the temple itself.
The East (front) Pediment, showing the birth of Athena. Athena, the goddess striding with spear and shield in hand, was famously born fully formed, and fully armed, from her father (that's right) Zeus. One story has it that Zeus had swallowed her mother (Metis, personification of cunning) out of fear that she would give birth to a son more powerful than he; somehow by giving birth to Athena himself, Zeus gained a powerful ally rather than a powerful foe. Hephaestus, to the left of Zeus (who is seated at center), may just have done a rather coarse sort of brain surgery on Zeus, smacking Zeus on the head to cure his headache and allow Athena to escape.
The original pediment is now fragmentary, but can be reconstructed reasonably well from drawing of the temple done before it was damaged in 1687.
The scenes in the square metopes with red backgrounds show the best perserved series of Parthenon metopes, a battle between men and centaurs. Other series of images showed the sack of Troy, the battle between gods and giants, and a battle between men and Amazons. All, probably, were meant to allude to the Greek victory over the Persians in the Persian Wars of 490-479.
Note that the coloration of the original would have been greater: the reconstruction only uses color when we can be sure of what went were. The visible remains of Greek temples, sun-baked for centuries, rarely preserve color, but we can tell from fragments of temples that were buried (and hence preserved their color), that the originals would have been garish by our standards. The color would have made the sculpture easy to see from the ground (but still not terrible easy to see).
Curvature down the northern side of the temple (with an explanation of curvature).