A mystery play.
Compare Job.
Both maintained their innocence in the face of god-given(or at least god-predicted) misfortune.
Neither received a divine explanation, but each received a divine sign.
Oedipus, of course, is no saint. He can help friendsÑbut does so by harming enemies.
Greek tragedies, among other things, comment on contemporary events in universal terms of myth (as does Greek art).
420s. Athens confident, as is Oedipus.
But Sophocles' lesson is one of human limitations. Note the plague at Thebes (and Athens).
406. Athens, Oedipus, and Sophocles (at 90) near the end.
But Sophocles praises Athens (Colonus, Theseus), and offers a sort of hope.
So you found the play rather boring, eh?
But much happens on stage.
The tearful welcome of Ismene.
Creon wresting Antigone from Oedipus, grabbing Oedipus.
Oedipus' mysterious departure, leading the way.
The grove of the Furies.
Oedipus replays his previous wrongdoing.
And is equally innocent.
Prurient interest: the chorus, and Creon, force Oedipus to discuss his deeds.
Oedipus' defense: fate; self-defense; ignorance. Page 344.
No one questions his defense in the play (save perhaps the despicable Creon).
Pollution: Oedipus and Theseus (page 352).
"Not to be born is best
when all is reckoned in, but once a man has seen the light
the next best thing, by far, is to go back
back where he came from, quickly as he can."
(page 358)
But the headland endures.
Oedipus will not want to die, and will be mourned.
One word. Page 379.
The gods speak. Page 380.
No man alive can say. Page 381.
There is a divine order, though it may be unknowable.
Pollution is real, but does not mean guilt.
We have the freedom to show courage, whatever our fate.
Family. Love and limitations.